The graphic novel of Art Spiegelman Mouse is a point of reference in reading the Holocaust and a turning point in serious comic art, but its complete successes are more remarkable and eclectic. Art Spiegelman: The disaster is my muse traces its beginning in the 1960s as a co-creator of the bizarre cards for commercial packages; Its doors of underground comics magazines (with Bill Griffith) and Raw (with his wife Francoise Mulie); In the shade of No Towers, his reaction to 11 September, inspired by a witness of the attacks from his home in the lower part of Manhattan; His controversial covers for the New Yorker (1993-2003), which prompted the NYPD to write the magazine office; And his public response to the recent ban on the mouse by the Tennessee School Council. Spiegelman demonstrates a eloquent leader through his provocative work, together with contemporaries (Robert Crum, Gary Panther) and the youngest cartoonists (Joe Sako, Jerry Kraft, Molly Krobbell), inspired by the continuous clash of personal spiral trauma.

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